Wednesday, 25 July 2012

The Seven-Shoe Wardrobe




The longer I write about men’s clothing, the more disinclined I am to say what men should own. There’s tremendous variation in classic men’s style, and given that people live different lifestyles in different regions, it seems only the individual can say what’s right for him.

Still, I’ve always found it interesting to read what others think comprises a basic wardrobe, and have found such articles incredible useful for my own wardrobe-building endeavors. So long as people use these as ways to think more deeply about what they should own, I think they have value.

So, here’s what I think makes up a basic shoe wardrobe. Seven shoes, designed for weekday and weekend wear.

First are your “formal” shoes, which can be roughly divided into those with open lacing and those with closed. Closed laced shoes, otherwise known as balmorals or oxfords, have eyelet tabs that are sewn underneath the front part of the shoe. They’re a bit more formal than open laced designs, which are also commonly known as derbys or bluchers.

The black oxford:  I think you should own at least one pair of black oxfords. You can buy these with punched decorations around the toe caps or go full brogue, but for the purposes of keeping to just seven shoes, I recommend a plain toe design or something with a smooth toe cap. These will be your most formal shoes and they can be worn with suits to weddings, funerals, and formal receptions. Even if you don’t go to such things often, you will at some point, and you’ll need appropriate footwear. Plus, as I’ve written before, I think men should have a pair of black shoes for the evening. Black calf just gleams better at night.

Two less formal dress shoes: Of course, few of us are in a position where we need to wear suits often. Most men wear sport jackets and odd trousers, if not something even more casual. For these purposes, you’ll need two less formal dress shoes to rotate between during the workweek. There are a couple of options.

The first are bluchers (open laced designs). Here the eyelet tabs are sewn on top of the front section of the shoe, making the foot less “dressed up.” For these, you can choose a plain toe design or something with a toe cap. Toe caps make the shoes slightly more informal, and something with decorative perforations around the edges of the cap is more informal still. For something truly informal, you can choose Norwegian split toes, like the pair pictured above, or wingtips, which have a rustic sensibility.

Your other choice is to choose a brown oxford, which is more informal than black, and perhaps something in a casual material, such as suede. Like bluchers, these can have varying degrees of formality depending on the simplicity of the design. Toe caps and decorative perforations will always make a pair of shoes more informal, regardless if they’re of open or closed lacing.

I suggest that these two pairs be brown. Assuming you buy something of quality, brown develops a more interesting depth and richness than black. Plus, it arguably looks much better during the day. So now we have one pair of black oxfords for formal events and nighttime wear, and two pairs of brown dress shoes (either bluchers or a more casual oxford) for the workweek.

The penny loafer: Now for the weekend. For spring and summer, I suggest slip-ons. There are a dozen variations – driving mocs, horsebit loafers, boat shoes, etc. For something truly basic, I suggest brown penny loafers. The penny loafer is the sine non-qua shoe for post-war “Ivy Look,” but they don’t necessarily have to look Ivy or preppy. There are a dozen silhouettes these days to fit different styles, and a penny loafer can look as at home with a Continental look as it does with an American. Wear these with or without socks, depending on the weather and your style, but if you go without, be sure to know how to do it properly.

The chukka boot: For fall and winter weekends, I recommend boots. Again, there are a dozen of variations. Balmoral boots are quite dressy, and something like a jodhpur is very casual and rustic. I think the most basic and easy-to-wear boot, however, is the chukka, sometimes also referred to as the ankle boot. In some areas of the world, it’s acceptable to wear certain chukka boots with suits, but I think they’re most safely worn as a leisure shoe. Pair them with jeans, moleskins, corduroys, or heavy woolen flannels, and anything as casual as a quilted jacket or waxed cotton coat, to something a bit dressier such as a tweed sports jacket.

Sneakers: For near year-round casual wear, I also think you should own a pair of canvas sneakers – Chuck Taylors, Jack Purcells, Vans Authentics, Supergas, Spring Courts, and the like. These are a relatively cheap way to add another pair of shoes to your weekend rotation. White canvas sneakers can look more harmonious with certain casual outfits than leather shoes of any stripe.

The seventh pair: The seventh pair will be up to you. If you live in a climate with harsh winters, perhaps you can pick up something from Jesse’s list here. If you live in warmer weather conditions, perhaps you’d like a more interesting pair of slip-ons, such as monk straps or tassel loafers. The point here is to choose something according to your needs or whimsy, in addition to what I think are the bare basics above.

And that’s the seven-shoe wardrobe. Enough to get you through nearly any occasion on any day in any season, and with enough options to allow you to properly rotate through your shoes while not having so many pairs that anything will be neglected. This to me is a basic and well-rounded shoe collection.

Source:Putthison

My best collection of Mens Handbag












How to pocket the chief points

 

 
 

 

Sunday, 8 July 2012

Coloured Chinos Pant


Among this four colours i have three colours already,It's a must have for any guy with style and doesn't care about what will say.Try it and you will love it.

Everyday Businessman Style





1. CT-Born
Coat by Louis Vuitton, suit by Michael Bastian, shoes by Billy Reid

2. Yale Educated
Coat by Billy Reid, pants by Louis Vuitton, shirt, tie and scarf by Michael Bastian, shoes by Gucci

3. American Made
Coat by Andrea Pompilio, suit by Billy Reid, shoes by Louis Vuitton



Friday, 6 July 2012

Look of the Day



I am sure loving this two looks,they made dressing look plain and simple without overdressing themselves.Don't you just love it.

How to Measure

SUITS, TOXIDO's:


Look inside one of your suit's inside pockets. Sometimes, the size will be indicated. If you cannot find it, follow these guidelines to determine your correct size (If you are measuring in centimeters, divide by 2.54 to obtain inches) :


To measure your chest : Raise your arms slightly and measure just under your arms. Be sure to cross over the shoulder blades and the fullest part of the chest. Suit sizes are equal to your chest size. For example, if you have a 38" chest, you would wear a size 38 suit.


To confirm your suit size, measure your waist or the waistband of a comfortable, well fitting pair of pants and add 6 inches.


Suit sizes through 46" will have a pant size of 6" less. From 48" and up, the pant size is 5" less.
Example: Suit size 42 jacket comes with 36" waist trousers.


BACK TO TOP.


COATS,JACKET, BLAZERS.


Look inside one of your jackets's inside pockets. Sometimes, the size will be indicated. If you cannot find it, follow these guidelines to determine your correct size (If you are measuring in centimeters, divide by 2.54 to obtain inches):


To measure your chest : Raise your arms slightly and measure just under your arms. Be sure to cross over the shoulder blades and the fullest part of the chest. Jacket sizes are equal to your chest size. For example, if you have a 38" chest, you would wear a size 38 coat, jacket or blazer.


To confirm your jacket size, measure your waist or the waistband of a comfortable, well fitting pair of pants and add 6 inches.


BACK TO TOP.


PANTS.


Look inside one of your pants' waistband. Generally, the size will be written. If you cannot find it, follow these guidelines to find your correct size (If you are measuring in centimeters, divide by 2.54 to obtain inches):


To measure your waist : Measure around your waistline where you normally wear your pants, keeping your forefinger between your body and the measuring tape or, better yet, measure the waistband of your most comfortable pair of pants. Pants sizes are equal to your waist size. For example, if you have a 38" waist, you should wear a size 38 pants.


To measure your inseam : Using a pair of pants that fit you well, measure from the top of the inner pant leg seam to the opening at the bottom of the pant leg. The number of inches is the inseam length, rounded to the nearest half inch.


BACK TO TOP.


SHIRT.


The following directions will help you find your correct size for dress and formal shirts. For sport shirts, please see the S-M-L equivalence chart. (If you are measuring in centimeters, divide by 2.54 to obtain inches) :


Shirt sizes are equal to your collar size followed by your sleeve length. For example, if you have a 17 1/2" neck, and a 35" sleeve, you should wear a size 17 1/2 35 shirt.


To measure your collar : Place the measuring tape around the fullest part of your neck and keep the tape snug but not tight. For a comfortable fit, place 2 fingers between the tape and your neck. Round up to the next 1/2".


To measure your sleeve length : Stand in a normal relaxed position with arms down at your side. Start the tape at the center back of your neck under the collar. Pass the tape squarely over the top of shoulder then down the arm to the desired length. Most people prefer the cuff to fall 1" to 1 1/2" below the wrist bone.






Measurement Table

        Chest    Waist     Neck   /  Arm


XS   34-36   26-27    13-131/2 31-32 


S     37-39    28-31    14-141/2 32-33


M   40-42    32-35    15-151/2 33-34 


L    43-45     36-39    16-161/2 34-35


XL  46-48    40-43    17-171/2 35-36 


XXL 49-51   44-46    18-181/2 35-36













Wednesday, 4 July 2012

The Art of Creativity


You can not enjoy it, if you do not know it. Art transports you to the knowledge.
Everybody hate it, can it be true with creativity.
Are you sure? Art helps you with the yes.
No matter how long it has been, art brings it in the now.
When it doesn’t have meaning, art adds meaning to it.
Art speaks every language with suitable voice.
Struggling disappears when creativity comes in.
Art graduates the lowly into the ultimate value.
Art impales the hidden.
Art puts smile on the mask of frown.
Art speaks louder than voice.
Clapping only comes in where there is art.
Fun is always sleeping when ever art is not at home.
Creativity is a killer disease to poverty.
No creativity- No smile, No smile – No joy. No joy, life = x.
Think creativity, Think excellence = Fulfillment.
Art brings illumination.
Only creativity can’t say yes to it.

Tuesday, 3 July 2012

Art Galleries in Lagos





Here is an updated list of Art Galleries and Art Event Centres in Lagos, Nigeria

ABSTRACT STROKES
Permanent Display
Suite H209/210, Ikota Shopping Complex, VGC, Lekki, 08053485162

AFRICAN ARTISTS’ FOUNDATION
Permanent Display
Raymond Njoku St., Ikoyi, 08062451371
Azu NWAGBOGU
www.africanartists.org

AFRICAN FOUNDATION FOR THE ARTS
Temporary Exhibitions and Permanent Display
29, Balarabe Musa Crescent, Victoria Island, 2616751, 08033359838
www.afriqafa.com

ALLIANCE FRANCAISE LAGOS
Temporary Exhibitions
4C, Ruxton Road, Ikoyi

ARTISTIC LICENSE GALLERY
Temporary Exhibitions
Sandilan Arcade, 230 Muri Okunola, Victoria Island

BAROYET ART STUDIO
Permanent Display
12, Odigi Street, Ojodu,
www.baroyet.com

BIODUN OMOLAYO GALLERY
Permanent Display
National Museum Complex, Onikan, 08023118105
Biodun OMOLAYO
www.abiodunomolayoartgallery.com

CENTRE FOR CONTEMPORARY ART
Temporary Exhibitions
9 McEwen Street, Off Queen Street, Sabo, 0702 8367106
Bisi SILVA

DIDI MUSEUM
Temporary Exhibitions
175, Akin Adesola Street, Victoria Island, 2629281, 08024108765
CeeJay JIBUNOH

FRAMEMASTER GALLERY
Temporary Exhibitions and Permanent Display
13, King George V Road, Onikan, 08034049839
Alex NWOKOLO

GOETHE-INSTITUT LAGOS
Temporary Exhibitions
10, Ozumba Mbadiwe, Victoria Island, 7746888, 4613416
Ingo TEGGE

HABITUDE GALLERY
11 Adekunle Fajuyi Crescent, Off Adeniyi Jones Avenue, Ikeja
08035029231

HARMATTAN GALLERY
Temporary Exhibitions
10, Elsie Femi Pearse, Victoria Island, 08056544281
Mudiare ONOBRAKPEYA

HENRIMOWETA AFRICAN ART GALLERY
Permanent Display
7, Adebayo Mokuolu Street, (Opposite Hotel Newcastle), Anthony Village, 08023073158
Henri MOWETA
www.mowetaart.com

HOURGLASS GALLERY
Temporary Exhibitions and Permanent Display
5, Biaduo Street, Off Keffi Street, S.W. Ikoyi, 07028162978
Opened 1996
Dozie IGWEZE
www.hourglassgallery.com

MYDRIM GALLERY
Temporary Exhibitions and Permanent Display
74B Norman Williams Street, Ikoyi, 2694796
Sinmidele OGUNSANYA
www.mydrimgallery.com

NATIONAL MUSEUM
Temporary Exhibitions
Onikan, Lagos

NIKE GALLERY
Permanent Display
2, Elegusi Rd, Ikate 2nd Round-about, Epe Expressway, Lekki
08033036969 & 08034096656 Nike DAVIES-OKUNDAYE
www.nikeart.com

NIMBUS ART CENTRE
Temporary Exhibitions and Permanent Display
Opened 1991
Chike NWAGBOGU
www.nimbusartcentre.com

NKEM GALLERY
Permanent Display
UPDC Lekki Estate, Victoria Island
Frank OKONTA
www.nkemgallery.com

OMENKA GALLERY
Permanent Display
24 Ikoyi Crescent, Ikoyi, Lagos
+234-8033129276,08023623526, 01-7944696
Oliver ENWONWU, Luciano UZUEGBU

OVUOMARORO GALLERY
Studio and Permanent of Bruce Onobrakpeya’s works
41 Oloje street, Papa-ajao, Mushin, 08060795466
Bruce ONOBRAKPEYA

PENDULUM ART GALLERY
Permanent Display
Block H, House 30 Millennium Estate, Off Fatai Idowu Arobieke Street
Off Admiralty Road, Lekki Phase I, Lekki, Lagos, 08033041555
www.pendulumartgallery.com

QUINTESSENCE GALLERY
Temporary Exhibitions and Permanent Display
Falomo Shopping Complex, Ikoyi, 08033357151
www.quintessenceltd.com

SACHS GALLERY
5th Floor, Eleganza Biro Plaza, Adeyemo Alakija Street
Victoria Island, Lagos, 012702964, 012705891, 08033100306
Website: www.sachsgallery.com
Bernie Umeri-Mjalli

SIGNATURE GALLERY
Permanent Display
107, Awolowo Street, Ikoyi, 08033177676
Rahman AKAR

STRIP OF GAZA GALLERY
Permanent Display
9, Joy Akugo Close, Magodo, 08023662902
Chigaza HANUM
www.westafricanartshop.com

TERRAKULTURE
Temporary Exhibitions
Plot 1376, Tiamiyu Savage, Victoria Island, 27005888
Opened 2004
Bolanle AUSTIN-PETERS
www.terrakulture.com

TREASUREHOUSE FINE ARTS GALLERY
Permanent Display
130, Awolowo Street, Ikoyi, 08027172478
Opened 1982
Olaseinde ODIMAYO
www.treasurehousefinearts.com

TRIBES ART AFRICA
Permanent Display
Suite E208, ikota Shopping Complex, VGC-Lekki Expressway, Lagos
+234 (80) 330 74 428
www.tribesartafrica.com

TRUVIEW ART GALLERY
Permanent Display
Shop F15, City Mall, Onikan, 08033228098
Juwon OLUSANYA (jolusanya@hotmail.com)
www.truviewartgallery.com

WANGBOYE’S ART GALLERY
Permanent Display
Pees Galleria Shopping Mall, 2A Osborne Road, Ikoyi, 2690856
Iwoje WANGBOYE EGUAVOEN

OVUOMARORO GALLERY
41 Oloje street, Papa-ajao, Mushin, Lagos
Permanent and temporary display space
contact person: Bruce Onobrakpeya 08060795466
email: onobrak@hyperia.com

HENRIMOWETA ART CENTER
7 adebayo Mokuolu street
(opp. New Castle Hotel)
Anthony Village, Lagos
Email henrimoweta@yahoo.com
Contact person: Henri Moweta 01-4803127, 017250320

ECHOES OF THE MIND
Block 485B
Ikota Housing Estate Lekki, Ajah
Temporary exhibition space
Contact person: Mr. J. Jefferson 0802-315-3918

BIODUN OMOLAYO GALLERY
National Museum Complex
Onikan Lagos
Temporary Exhibition Space
contact person : Biodun Omolayo 08023118105

PENDULUM ART GALLERY
Blk H, Hse 30 Millenium Estate, Lekki Phase 1, Lagos
Temporary dispay space
contact person Peter Dubem Areh 080330141555

HABITUDE GALLERY
11 Adekunle Fajuyi Crescent
Off Adeniyi Jones Avenue, Ikeja
08035029231
email:habitudegallery@yahoo.com

OBIAGU ARTS CENTER
Amazon Garden, Ministers Hill Abuja
08034527318.

African Sculpture





 Most African sculpture is not originally created to be sold in the marketplace, yet is often intended to commemorate an important event, portray religious values, or make some sort of political statement. As such, aesthetic qualities are not adjudged to be of the utmost importance in African sculpture, rather the statement that the work of art made is what is valued.

               The most common forms of African sculpture generally represent the human form, much like the African wood sculpture in this exhibit. The portrayal of the human form is not necessarily proportional, but often strives to emphasize or even overemphasize specific bodily characteristics that the sculptor wishes to discuss in the work.

               Many art critics describe African sculpture, such as the one found in this exhibit, as monumental due to the manner its was carved from the wood and the proportion of the piece. Often the figures are not completely free from the wood in which they were carved. In other words, a freedom of movement is not possible, instead the figure has a look of heavy permanence.

               Wood is one of the most popular materials used in African sculpture. The popularity of wood can be partially explained by the fact that it can be found in abundance. In addition, wood is a popular material generally because, in a culture where sculpting tools are often not very advanced, it is much more malleable than other sculpting materials.

               The African sculpture in this exhibit is typical of the general qualities of African sculpture discussed above. What is more, it is largely representative of African sculpture in general in that the sculpture is wood, deals with the human form, and may be religious in nature. Specifically, the wood carving is a Sudanese Totem Pole. The entire piece is approximately two and a half feet tall and made of a light colored wood. The top half of the Totem Pole is a female figure. This figure is nude and its sexuality is emphasized. The figure's hands are covering its pelvic area and the breasts are prominent. This specific sculpture may be religious because it is apparently devoted to fertility in its representation of the human form and is sexual and reproductive capabilities, which is a common theme in African religion and art. Lastly, because the figure is not separated from the wood pole, the figure seems to possess a monumental quality despite its relatively small size. In this way, the Totem Pole creates a feeling of permanence within the viewer, as it projects a timeless quality.

Monday, 11 June 2012

DESIGNERS DIARIES : RATIONALITY/IRRATIONALITY




I sometimes struggle with the idea of the artist/designer as an irrational person. Picasso, Basquiat, many artists and designers in history seem to have functioned through a chaotic personal life, full of irrational decisions (Carravagio killed a man in a brawl before running for his life, Galliano pissed off a lot of people one day when he’d had too much to drink) that somehow translated into productivity, output, lots and lots of it.
The truth is that so far, I belong solidly in camp ‘rational’. In high school I was voted Miss Organized from a graduating class of 600+. Yet my favourite classmate-artist was Eleojo, whose brushstrokes exhibited a fauvist carelessness (my strokes were deliberate, very orderly… luckily our art teachers recognized the merit in both styles).
Why does high school matter? Because often I wish for the type of savagery in design that I see in the work of John Galliano and Alexander McQueen but my form-follows-function approach trumps this more often than not. True, in 2005 McQueen’s spring/summer collection was so streamlined and demure it could be mistaken for early Proenzer Schouler. And true it takes the budget of a house like Dior to support the gorgeously impractical, multi-layered designs of a theater king like Galliano. But I still am not 100% sure that time and budget are all it would take for me to venture out of the practical and into the otherworldly.
I remember watching a movie about the 60s where we briefly saw the world through the protagonist’s LSD-clouded eyes – with unicorns emerging from swirly walls and colours melting into each other. I remember wondering if that was why Western culture ties creativity so much to recreational drug use. I also remember seeing another movie where three thirty-somethings decided to go on a drug-fuelled trip to a major city, and how, on seeing what a mess they were halfway into the movie, I lost interest in experimentation and any creativity that may or may not come with it.

To date the most irrational thing I did in my everyday life was leave an IT  job in the States to study art in Spain. But even that took a year of careful deliberation, smart saving, and gentle talking-through with my family, as though my rational self was mocking any efforts, perceived or actual, at being the spontaneous twenty-something who quits her life in the big city in search of something ‘more’.
But what is design afterall, and for non safety-critical things like handbags and dresses, to some extent architecture and furniture (as opposed to say a bridge or a heart rate monitor), are we really drawn more to functionality (rational) than to beauty (often irrational)? And what is our responsibility to the world as fashion designers: to deliver the beautiful or to deliver the usable? After playing the role of ensuring that web sites delivered a page or application to the user in the shortest and most logical path, my new role as a designer of fashion goods is one that poses questions like these that assert a new freedom while also hinting at a collective responsibility. For as designers, our best work is often the lens through which a culture is viewed, the filter through which a wider audience over space and time comes to discover and understand a hitherto unknown people. And in many cases, from Gaudi to Starck, from McQueen to El Anatsui, what the world sees as our best work seldom doubles as our most rational.

Kunmi Otitoju is a Nigerian leather goods designer and ONB contributor. Her brand Minku combines the functional with the irrational. Or tries to.

Source: Onenigerianboy.com

Thursday, 7 June 2012

Movie Review: Project X


So,this is merely an extreme teenage version of The Hangover.How you feel about Project X will have a lot to do with your age and gender. I feel it's one of the greatest movie ever made with a different concept and a kind of comedy featuring lots of good-looking naked girls. Seriously i have to say it's an out of the box film and it didn't have all the usual familiar faces that grace the big budget movies. I would say it's an interesting movie to watch but it is strictly 18 and above.


Tuesday, 5 June 2012

Wizkid UK Tour Success


I heard the EME Records superstar wizkid UK tour was a huge success and it was the talk of the town,even fans were already at the venue of the performance while all the sound check was going on.If Wizkid could pull such a crowd and a huge turunout then i wonder what Davido the new kid on the block would do.So much love for Nigerian artiste all over the world.

Justin Bieber Debuts ‘All Around The World’ Featuring Ludacris


The wait is over Beliebers! Justin Bieber’s new single “All Around The World” is buzzing about on iTunes and is ready to be echoed out of your earbuds. The track features Ludacris once again, as he was also  featured in Bieber’s hit single, “Baby“.

Sunday, 3 June 2012

Look of the Day!!!!!!!!!!!!

While on the web I stumbled upon this look and I just had to share. I just love the simplicity of the look. Enjoy!


Saturday, 2 June 2012

Grassroot Fashion culture

When the media talks about the fashion and lifestyles industry they fail to recognise the grassroot fashion culture.Fashion is becoming a part of our life as Nigerians now unlike before when we patronise the international designers but things are evolving for good.The essence of fashion is becoming a part of us but as Nigerians we're neglecting the grassroot fashion culture,the young designers and tailors who create outstanding designs for their loyal clients.Even the big celebrities can't deny they haven't opt for this young designers work when all hope is almost lost.

The fashion industry might seems to be growing but the platform is not strong enough for this young and aspiring designers to work on.Fashion designing school or mentorship should be made available for this young designers to learn and improve on their skills.They should be given opportunities to showcase their designs on the runaway so that people can appreciate their designs and effort.

My main desire is to see young grassroot designers grow to become a world class designer who can compete with his fellow designers and have the same confidence as they have to be able to creat astonishing world of art.I have come to realise fashion as an art that anybody with the gift can make something out of it.

Friday, 25 May 2012

I never thought about Fashion...


If I could remember I never had any idea I was going to be interested in fashion.I was just this normal kid with a little dress sense and always want to look nice among my peers.As time goes on I started hearing about fashion and how i could turn it into an hubby

Seriously I never thought about fashion as a business,It's the last thing I ever thought I would develop interest in.Fashion is diverse,it has different branches and it has contributed a lot in other industries.

We need to create a better foundation for the youth to develop their creativity and passion for fashion.I just hope it won't be too long before itn goes out of control.